Tag Archives: dystopian fantasy
When Masks murder Laia’s grandparents and take her brother Darin, she decides to request help from the Resistance to free her brother from prison. The Resistance, which her mother and father used to lead before they were killed, pledges her assistance only if she takes risks for them, as a slave and secret spy in the Commandant’s household, the leader of the training academy of Masks, Blackcliff. The Commandant has a cruel history with her slaves, and Laia would be going into certain torture…
Elias is a Mask, albeit a reluctant one. He was taken from his adopted Tribal family and put back into his Gens, his familial house, and sent to Blackcliff to be a Mask like his mother, the Commandant. She holds no love for her son, and forces him, despite his nature, to be a killer. When the Emperor suddenly dies, four candidates from the class of graduating Masks are chosen as potentials, Elias among them. He must compete against his best friend Helene Aquila, cruel Marcus, and Marcus’s twin to become the Emperor because the alternate fate is likely death.
Though each are on a different quest, Laia and Elias share a journey that has all the potential to change an Empire while thousands of lives hang in the balance.
Obvious spoilers for book 2 below…
With Elias hunted as the Empire’s top fugitive, he and Laia are desperately trying to make their way out of the Blackcliff compound and the city of Serra to save her brother Darin, rumored as imprisoned in harsh Kauf, far to the north. Before they can escape, they are purposefully trapped on their way out of the city by the Commandant, Elias’s mother. She wounds Elias with a deadly poison but lets them go. Laia is left to find her way to the nearest city before Elias dies from his blackouts and seizures, while Elias dreams of strange things that are real and important to both his past and his future.
Meanwhile, Emperor Marcus sends Helene, his Blood Shrike, to kill Elias, but only after severe abuse and torture, making a deal with her father in exchange for influence, allegiance, and insurance of Helene’s compliance. And if Helene does not bring back Elias and kill him? Her family will die.
When Helene comes after Elias and Laia and their new allies, they manage to escape but not without a price. Despite Elias’s illness, he decides to journey on alone hoping that he can rescue Darin before Elias succumbs to poison. As their situation and survival grows more desperate, the Commandant enacts her genocide against the Scholars, Helene edges closer to her goal and her potential doom, while the noose of the Nightbringer is well-laid and waiting for the tiniest misstep from Laia and Elias.
A feverish debut that had a lot of marketing and hype, so I was looking forward to this read. I found it an unusual adventure with an intriguing societal system. There is a very deep extreme between hated and liked characters, very few mediocre characters. I automatically liked Elias much more than I liked Laia (but I am not sure how much of not liking Laia was feeling how little I knew her and knew of her). Perhaps I related more to Elias because I could see he was reluctant but forced into terrible deeds? I loved Izzi and the mystery of the Cook and also loved the contrast of Helene and how she grows throughout the series.
While this was a solid read, it just didn’t grip me as much as I had expected. Maybe I am very character-driven and that’s where I experienced a disconnect, but I also very much hated the love triangles and was questioning Laia’s mental sensibility about a certain guy the whole story until I was finally proven right (book 2, but see, still not spoilering!). I liked the first book, but I think book 2 is a typical book 2 in that it is a journey (we’re walking, we’re walking…) and nothing much is resolved but just a set up for book 3. Disappointing but not unheard of.
A solid read and a shoo-in for fantasy fans who are looking for adventure, romance, and an a-typical story. I must confess it took me a lot longer than usual to read the second book. Make of that what you will.
Notes: Graphic violence and sexual circumstances.
Raised to be a surrogate for rich families in the Jewel, the rich innermost ring of society, Violet Lasting believes she will be part of wealth, royalty, and beauty while also giving her family some measure of security. Violet is one of the most talented and desired surrogates, a fact that attracts the attention of the most powerful in the city. Sent to be made beautiful, a talented designer Lucien is kind to her before her Auction, and Violet is made stunning but true to her personality. The matron of one of the most important of the four houses, the Duchess of the Lake, buys her to be a surrogate for her new daughter, and though trapped and forced into obedience, Violet is treated well by the Duchess, unlike her other surrogate friends. One, the surrogate of the Electress, is practically murdered at the table, and Violet’s friend Raven isn’t herself. Plots and poison surround her, and Violet rebels against the Duchess’s scheming. In punishment, the Duchess begins to have Violet tested for her magic in preparation for the impending baby. Violet turns to Lucien one day and tells him of her suspicions, that she is being groomed to birth a princess at a much faster rate than the rest. Lucien promises to save her, and just as Violet gets closer to her freedom, she falls in love and promises to stop at nothing until she saves her friends from their surrogate hell as well.
After events of the last novel, Violet has been caught with Ash, the male companion (read male escort), who faces death while she gets punishment that earns her handmaiden Annabelle a swift death. Awaiting almost certain torture, Violet is saved by Garnet, the Duchess’s wild son, and makes him save Ash as well. Reuniting with a very sick Raven, Violet and Ash must travel out of the Jewel to a safe haven known as the White Rose. At any moment they could be caught, executed, or forced back to the Jewel and their owners, taking knowledge of the secretly murderous plans of the Electress with them. They must survive to fight for their peers, families, the country, and their future freedom.
I did not expect to like this series as much as I did, partially because of the generic “girl in dress” cover and the unenlightened titles; however, I actually loved this series. Plot twists kept surprising me, and I was unable to predict how certain events would happen. Fans of The Hunger Games, Divergent, but mainly The Selection series will love these books. One would think that for a series that deals with surrogates, medical implantation, “companions”…that sexuality would be more graphic, but actually, I thought it was very well done for the topics it handled and/or avoided.
Totally 4 out of 5 stars.
Before Cinder and Scarlet, Cress and Iko, there was Levana and her elder sister Channary. When their royal parents were brutally murdered by shells (Lunar people without the gift of manipulating bioelectricity), Channary ascended to Queen, forcing her younger and less gifted sister to hide in her shadow. When they were children, Channary had cruelly manipulated her sister into climbing into a hot fire, scarring her horribly. For years Levana was known as the disfigured princess. As Channary begins her reign, Levana has finally developed her glamour enough to be somewhat different, and only Channary has the power to see through it, using it to taunt and toy with her. Levana is also hopelessly in love with one of the royal guards, happily married with an expectant wife who quickly dies in childbirth, and the love she so craves is never achievable unless…Levana uses her gift to become his dead wife and convince him. In an act of defiance against Channary, Levana marries the guard. With Channary’s insults, careless ruling, and wanton ways, Levana plots to have her murdered and then she can finally become something she’s destined for…Queen of Luna.
Though this is a prequel and the reader knows Levana to be evil, it is easy to be convinced (or seduced) by her innocence in this novel, a naivety that is twisted first by Channary and then subconsciously warped by Levana herself. It is both recognizable, relatable, and horrifyingly reprehensible how she transformed from a young, tortured child into a ruthless ruler. A spoiled child, who, when she did not get the love she felt she deserved, decided to coerce, force, and finally break whatever or whomever as it suited her, convincing herself this was the only course of action to get what she wanted. This is a key theme, the epitome of selfishness that Machiavelli would have no trouble lauding.
The final Lunar Chronicles novel! Cinder, Wolf, Thorne, Cress, and Iko have “kidnapped” Emperor Kai to prevent Queen Levana from becoming Empress. Together they plan to infiltrate Luna by having the wedding on the moon and rescue their captured friend Scarlet. Meanwhile, with Queen Levana furious about her fiance’s absence and already incensed that Cinder or Princess Selene is still free, her stepdaughter Winter hides the secret of Cinder’s coming, told to her by Jacin, her beloved guard, and would be immediately killed if Levana knew of it.
When he returns, Kai is successful in convincing the Queen, upon their arrival for the wedding, everything dissolves into chaos. Cinder’s party is discovered and pursued, but luckily not caught, though they lose Cress in the commotion. Wolf, Cinder, Thorne and Iko travel to Wolf’s parents’ home to lie low and wait, as their entire plan depends on Cress’s hacker skills. On the other hand, Cress was discovered and shielded by Winter and Jacin, but not without raising Levana’s ire against her stepdaughter. Finally, fed up with catering to Winter’s whims and the memory of her dead husband, Levana orders Jacin to kill Winter and so breaks the last tether from her past. However, she underestimates his loyalty, and Jacin fakes Winter’s death and frees Scarlet to rescue them both. Winter and Scarlet manage to make their way, aided by a secret helper (Cress), to Cinder and her companions, just in time to begin the revolution to overthrow Levana and restore Selene to her rightful throne.
Without discussing any spoilers for the smashing ending, Winter wraps up the stories of all main characters as well as the fate of Luna and Levana’s reign while also satisfying reader expectations. Bear in mind its fairytale roots, so the romances are neatly tied and everyone has a happy ending. I want to stay in this world so much for its loveable characters and strong female role models! I am so sad to finally see it end…maybe there will be more short story editions like the one below! Or the newly announced graphic novels featuring Iko!
This collection of short stories, some previously released as ebooks, is amazing alone just for the last two stories and the unique perspectives it gives on some of our favorite characters who haven’t yet had a voice in the original novels.
The Keeper: Michelle Benoit’s quick account of how she came to be the secret guardian of Princess Selene while she was developing after her horrific burns and becoming cyborg. Story was very interesting and really made you feel how much love she had for Selene and for the important job she was entrusted with.
Glitches: Cinder’s introduction to her new family, the Linh’s: Sweet Garan who swiftly dies of letumosis, sour Adri who treats her as if she is gum on her shoe, sparkling Peony who immediately finds a kindred spirit to love, and submissive Pearl who follows her mother’s every instruction. It is through Adri’s prejudice that Cinder learns to become a mechanic and restores Iko. As reader, it is so believable (and reminiscent of Cinderella lore) one almost doesn’t want to leave dear Cinder in this hopeless situation, but also can recognize that inner fire of hers to survive and succeed appears even this early, which is so strong and endearing in this young glimpse of her character.
The Queen’s Army: The brutal recruitment, training, and domination of Wolf in the Lunar Queen’s special forces, and his simmering resolution to follow his own path despite his animalistic, manipulated urges. Dark and tinged with the desperation to survive, this story better allows for more empathy and compassion with Wolf and his Lunar soldier brothers.
Carswell’s Guide to Being Lucky: Dashing rogue Carswell Thorne might have been a scoundrel in his own terms, but Cress saw through that from examining his past. Here Carswell is a younger teen and though he seems to be finding the easy escape hole, there’s a glimpse of his true heart. Light, fun, but I desired more, more, more of Carswell than this little snippet.
After Sunshine Passes By: A very short narrative where Cress describes her life as a shell, rising into a technological hacker whiz, and the surprise of her satellite prison. Possibly a unneccessary story as Cress’s backstory is well-fleshed out without being described in other novels, but perhaps stemmed from world-building the shells’ secret bunker and helpless slavery.
The Princess and the Guard: The origin of a young Winter and Jacin’s friendship, Winter’s realization that the Lunar gift takes away personal choice and willpower, and their strengthening bond as Jacin becomes in-truth her guard and trusted protector. Taking place over a few years and highlighting key events in Winter’s life, this gem defines Winter’s and Jacin’s coming-of-age as well the constant danger present in the Lunar Court. I found it harder to connect to Winter than any of the other girls in the original books, but this Winter is divided into sane Winter vs losing her mind Winter. This stark contrast gave me a better grasp of Winter’s character and made me like her more (though, as she’s the version of Snow White, she’s already pre-determined to be my least favorite; Gennifer Goodwin’s Snow from Once Upon a Time is the only exception to the rule so far).
The Little Android: An out-of-the-ordinary story of an android whose personality chip develops abnormally. The android saves the life of a drowning man, seeks to survive rather than be reprogrammed, and shows the sweet gifts of love, sacrifice, and true friendship. I could read this story over and over and over again.
The Mechanic: Prince Kai’s point-of-view seeking, meeting, and immediately liking the brilliant Cinder. Love, love, love! I could read an entire book with Kai as a narrator.
Something Old, Something New: Best story in the whole book by far, and I won’t give any spoilers away. There’s a wedding, and the ending had me crying for more wedding (Babies! Life adventures!) short stories of these most beloved characters.
Fans of post-apocalyptic and dystopian YA will quickly be sucked into this stand-alone tale.
Once Aya was living in the Frontier with her unconventional family, including two young children she was charged with protecting, trying to make ends meet, but she has been captured and now lives in a slave pen, awaiting some man to make a purchase for her at market. In her society, a potential future of our own, all women are property: sold, abused, used for children, and killed or pushed aside when considered useless. Children are means to an end, and religion and prayer is banned. Also, any girl who is a virgin and gives up her virginity before being sold (even if the man buying her asks her to do it) is punished to live as a Virulent, the lowest caste of society that is visibly marked and usually ripe with disease. Aya tries to do anything to avoid being sold. She starts fights, gets sick, tries to escape, and usually she is punished by being unsuitable for market and sent to live in solitary confinement. In her brief exile, she makes a friend or two: Brax, a wolf puppy she saved, who keeps her warm at night, and a Driver boy, whom she calls Kiran, who is mute but eventually companionable. Then, she runs out of chances. Finally up for sale, Aya (her slave name is Clover) tries to be as repulsive as possible, which backfires. The mayor of Glasscaster buys her for his son, and Aya is slave to a young boy. Thinking she has lost all chance of escape, she is unexpectedly saved when Kiran pretends to be the mayor’s brother and helps her back into the Frontier. Aya’s only thought is to find her family, but a series of surprises leave her questioning her familial ties, her beliefs, and her future.
The Glass Arrow has been called a modern YA retelling of The Handmaid’s Tale and Aya has been drawing parallels to Katniss Everdeen from The Hunger Games. (Actually, I thought it was going to be more like THG and Katniss than it was, so I was very pleasantly surprised by this.) However, it is not for the sheltered reader. It is designed to open eyes. To make the reader think about women, their vulnerabilities, the patriarchal society and how it can degrade into this view, which is very similar to some countries in the world. It is an emotionally difficult read (not inappropriate by any means), but will make you uncomfortable and expose you, if you weren’t already aware, to ideas about sexism and potential abuse of females.
Now the good parts! Aya herself is a strong character, inviting the Katniss comparison, and does much to shelter those around her, like the children, from the brutality of their world. Kiran is the best possible sort of boy, and Aya comes to realize this, discovering that she demonized most men in retaliation to the stereotypical treatment of her (and females in general). Kiran changes her mind, and Aya learns that despite society’s view, she and he can love honestly, honorably, and truly appreciate each other. Brax is both comfort and comic relief from the horrible situation, and the ending is satisfying, though I won’t spoil it here. Take a chance to read something that isn’t just a happy story, for it’s in these that you learn the most about yourself, how you think, and how you might need to change…
*Note: Middle grade readers may not be emotionally ready to read/discuss amount of sexual connotation and possibility of sexual abuse in this book.
P.S. Found it noted on Kristen Simmon’s website that she is working on a book called Metaltown for 2016. Unknown whether this is a sequel (though doubtful) or unrelated. Go there for more articles and bonus stories from The Glass Arrow!